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Rev. Joey N. Welsh. Poets for December: Emily Dickinson

ANOTHER ANGLE: the occasional musings of a Kentucky pastor. This column previously appeared on December 10, 2006
The next earlier Another Angle: Poets and Poetry for December, Part I: Christina Rossetti By The Rev. Joey N. Welsh
E-mail: joey_n_welsh@hotmail.com

Poets And Poetry For December, Part Ii: Emily Dickinson
Last Friday marked the birth date of a woman known to her contemporaries as the "New England Mystic," the "Woman in White" and the "Belle of Amherst." We know her as poet. Emily Dickinson was born on December 10, 1830 in Amherst, Massachusetts -- five days after the birth of Christina Rossetti across the Atlantic Ocean in England. She came from a literate family prominent in educational and political circles, and she grew up having easy access to books. Dickinson spent a brief time at Mt. Holyoke Female Seminary (later Mt. Holyoke College), but she returned home after less than a year of study there, never to go back. During most of her life she was viewed by outsiders as a mysterious recluse, but her correspondence reveals that she cherished the relationships she chose to cultivate.



My great-grandmother was the first person I ever heard use the expression "Still waters run deep." Grandma could easily have been referring to Emily Dickinson. Even after I discovered that Grandma's words were a common saying, I realized that some cliches are widespread because they are so very, very true. From the quiet waters of Emily Dickinson's life flowed poetry of great power and abiding wisdom. She never veered toward easy rhymes or simplistic sentiment, and much of her writing is downright unsettling. That is part of the reason that I keep the 2003 Collected Poems of Emily Dickinson (Barnes & Noble) close at hand. Her work is too fresh and powerful to be shelved back away or hidden from view.

Dickinson made few trips out of Amherst, and she never covered a lot of geographic territory during her life, but she did a fine job of surveying the wide expanse of terrain we know as the human spirit. Her examinations of people's hearts and souls powered her many writings; she wrote hundreds of letters and almost 1800 poems. Few of her poems were published during her lifetime, and when she died in 1886 her work largely was unknown and her life was a puzzling mystery to those folks who gave Dickinson much thought.

Dickinson wrote her poetry on discarded scraps of paper and on the backs of grocery lists, but she kept them, bundled them together in batches and squirreled them away in various places around the Amherst house where she spent her years. Her sister Lavinia found the poems and had some of them published, but in their early editions her texts were altered to "clean up" Dickinson's unconventional sentence structures, capitalizations and her use of dashes and spacing.

It was not until the 1950's that her poems began to appear in print in a form approximating Dickinson's original style. She now is viewed, along with Walt Whitman, as a true pioneer of modern American poetry. She didn't put titles on her poetry. Her works are listed by number and indexed by first lines.The following poetry sometimes is listed in anthologies as being "A Christmas Poem" by Emily Dickinson. I think that if you give yourself a moment to reflect on her words you will agree with me that the imagery of this poem, its spare language and its specter of impermanence and grief mark it as a most atypical poem for December. This is no work of sweet or simple sentiment, but it rings with truth for the many people who find their holidays laden with unresolved feelings and conflicted memories.
Before the ice is in the pools,
Before the skaters go,
Or any cheek at nightfall
Is tarnished by the snow,

Before the fields have finished,
Before the Christmas tree,
Wonder upon wonder
Will arrive to me!

What we touch the hems of
On a summer's day;
What is only walking
Just a bridge away;

That which sings so, speaks so,
When there's no one here,--
Will the frock I wept in
Answer me to wear?
Next week: Thomas Merton and his poetry for Christmas published originally in The New Yorker.
A RECIPE: IN MEMORY OF EMILY DICKINSON AND IN HONOR OF HOLIDAY BAKING
30 years ago Playwright William Luce wrote a one-woman play about Dickinson's life, Belle of Amherst. It was a 1976 triumph for Julie Harris, who won a Tony Award for playing Emily Dickinson (as well as portraying the other people who interact with Emily during the course of the story). This play was on stage at Horse Cave at the beginning of the theatre's 2004 season.

During Act 1 Emily shares a recipe for her Black Cake. I like to bake, but this recipe is nothing I would ever attempt. I present it here in memory of Emily Dickinson and in honor of the holiday baking that is going on all around us. If anyone ever attempts to bake this concoction, kindly inform The Hart County News-Herald (or ColumbiaMagazine.com -ed) so pictures can be taken for publication.

The scene begins as Emily is eating a piece of her Black Cake:

"Mmmm. Lovely."

"No, no -- it's easy to make. The recipe? Of course. It's really very simple. Now, I'll go slowly."

(She places the cake on the tea cart.)

"Black Cake: two pounds of flour, two pounds of sugar, two pounds of butter, nineteen eggs, five pounds of raisins, one and a half pounds of currants, one and a half pounds of citron, one half pint of brandy -- I never use Father's best -- one half pint of molasses, two nutmegs, five teaspoons of cloves, mace, and cinnamon, and -- oh, yes, two teaspoons of soda, and one and a half teaspoons of salt."

(Emily has removed her apron.)

"Just beat the butter and sugar together, add the nineteen eggs, one at a time -- now this is very important -- without beating. Then, beat the mixture again, adding the brandy alternately with the flour, soda, spices, and salt that you've sifted together. Then the molasses. Now, take your five pounds of raisins, and three pounds of currants and citron, and gently sprinkle in all eight pounds -- slowly now -- as you stir. Bake for three hours if you use cake pans. If you use a milk pan, as I do, you'd better leave it in the oven six or seven hours."

"Everybody loves it. I hope you will too. Thank you."

(She hangs her apron on the back of the chair. Then she sits down and pours tea.)

"Sometimes I bake one for a neighbor and I enclose a short note that is usually so obscure . . .

(Gleefully)

". . . no one can understand it! I hear my little notes are becoming collectors' items in the village. People compare them to see who has the strangest one."

Meanwhile, I'm trying to absorb the full implications of this massive recipe. I think that perhaps some things are better left to the stage and to the printed page -- and kept out of my kitchen.


This story was posted on 2010-12-12 05:18:20
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