| ||||||||||
Dr. Ronald P. Rogers CHIROPRACTOR Support for your body's natural healing capabilities 270-384-5554 Click here for details ![]() ![]() ![]() Columbia Gas Dept. GAS LEAK or GAS SMELL Contact Numbers 24 hrs/ 365 days 270-384-2006 or 9-1-1 Call before you dig Visit ColumbiaMagazine's Directory of Churches Addresses, times, phone numbers and more for churches in Adair County Find Great Stuff in ColumbiaMagazine's Classified Ads Antiques, Help Wanted, Autos, Real Estate, Legal Notices, More... ![]() |
Tom Chaney: Elvis: A Tragic Life Of Writers And Their Books: Elvis: A Tragic Life. Tom says Mason shows us Elvis emerging as a semi-tragic figure fomenting a revolution but sacrificed by his manager Parker. This column first appeared 19 February 2006. The next earlier Tom Chaney column: Think BOOKS for Christmas By Tom Chaney Elvis: A Tragic Life The date was July 5, 1954. A shy, mumbling, awkward nineteen-year-old young man recorded some popular songs of the day in the Sun Records studio in Memphis, Tennessee. He had said that he wanted to cut a record for his mother's birthday. After stumbling through "Harbor Lights" and one or two other current standards of the day, something happened. The singer had been fumbling around with other popular ballads when he shouted out "That's All Right, Mama," and launched into an old Arthur "Big Boy" Crudup tune. In the control room, Sam Phillips, owner of Sun, stuck his head out of the door and said, "What are you doing? Back up and try to find a place to start and do it again." According to Bobbie Ann Mason in her 2003 biography, Elvis Presley backed up, found the place to start, and did it again and again. "Sam recognized what he was looking for: the energy, the liveliness, the abandon, the risk. Scotty [Moore] and Bill [Black] quickly picked up on Elvis's lead with a forceful, fast rhythm." And rock and roll was on its way -- a mixture of rhythm and blues, southern gospel, and country -- with Elvis in the driver's seat. The shy, polite singer would become a cultural icon by the time of his death twenty-three years later in the bathroom of Graceland. Bobbie Ann Mason brings her practiced fictional skills to this biography -- Elvis Presley, in the most useful Penguin Lives series of biographies by major writers on important cultural figures. Others have written more detailed studies of Elvis, especially Peter Guralnick in his massive two volume study accompanied by Elvis Day by Day with Ernst Jorgensen. But Mason's short biography brings new insight to the career of Elvis from his beginnings in Tupelo, Mississippi, as the poor son of impoverished parents, through his move from Sun Records into the thrall of Colonel Thomas A. Parker until his early death in 1977. In Mason's treatment, Elvis emerges as a semi-tragic figure fomenting a revolution with a great deal of talent which talent was sacrificed on the altar of Parker/van Kuijk's carnival instincts. It was Parker (who was actually a Dutch illegal immigrant named Andreas Cornelis van Kuijk) who kept him making the same banal movie over and over and who forbade his taking such roles as ones in "Midnight Cowboy" and "A Star is Born" when they came his way. Parker kept Elvis from the special services unit in the army where he would sing for free. For the same reason Parker blocked a White House visit because performers there were not paid. Examining the career of Elvis, one is led to the conclusion that the singer's career was one of unrealized musical potential in the midst of financial success. One is struck by the continued immaturity of adolescent pranks coupled with a yearning to read, to understand, and to come to terms with himself in the world. Addicted to prescription drugs, he offered his services to President Richard Nixon in the 'war on drugs.' The irony of that contradiction is evidence of his immaturity and his acceptance of the myth of himself created by Parker and kept alive by his fans. The Elvis biography is among a group of three Kentucky authors being considered by the Hart County Book Discussion Group over the next several months. Last Wednesday's discussion of Elvis Presley involved members of all ages from one youngster not yet born when Elvis died to others who were adults when the rock and roll revolution caught fire. In between were several members close in age to Elvis. That group has been around since 1984 considering works of fiction, poetry, biography, and history on a monthly basis. In the next two months the group will read and discuss works by Kentuckians Robert Penn Warren and Wendell Berry. Tom Chaney can be found telling stories, planning his next meal, and occasionally selling books at THE BOOKSTORE Box 73 / 111 Water Street Horse Cave, Kentucky 42749 270-786-3084 Email: Tom Chaney http://www.alibris.com/stores/horscave This story was posted on 2014-12-07 07:15:53
Printable: this page is now automatically formatted for printing.
Have comments or corrections for this story? Use our contact form and let us know. More articles from topic Books:
Tom Chaney: Carl Hiaasen Strikes Again SCC student publishes 1st book; being turned into screenplay Great list of local authors to be at 3rd Annual Adair Co. Book Fair, 11 Oct 2014 Review: The Never Ending Mile/Life & times of Winn Hensley Mike Newton reviews book: Call Sign Dracula Book club at AC Library discussing: Mudbound, by Hillary Jordan Janice Holt Giles to be inducted into Authors Hall of Fame today Have You Finished it Yet Book Club meets today Doug Mosley book signing December 19, 2013, at ACPL LWC Library Assistants meet Anne Rice & son Christopher View even more articles in topic Books |
![]() ![]() ![]() |
||||||||
| ||||||||||
Quick Links to Popular Features
Looking for a story or picture? Try our Photo Archive or our Stories Archive for all the information that's appeared on ColumbiaMagazine.com. | ||||||||||
Contact us: Columbia Magazine and columbiamagazine.com are published by Linda Waggener and Pen Waggener, PO Box 906, Columbia, KY 42728. Please use our contact page, or send questions about technical issues with this site to webmaster@columbiamagazine.com. All logos and trademarks used on this site are property of their respective owners. All comments remain the property and responsibility of their posters, all articles and photos remain the property of their creators, and all the rest is copyright 1995-Present by Columbia Magazine. Privacy policy: use of this site requires no sharing of information. Voluntarily shared information may be published and made available to the public on this site and/or stored electronically. Anonymous submissions will be subject to additional verification. Cookies are not required to use our site. However, if you have cookies enabled in your web browser, some of our advertisers may use cookies for interest-based advertising across multiple domains. For more information about third-party advertising, visit the NAI web privacy site.
|